A Private Premise – Fine Art Prints (Passepartout Paper Frame)

Description

Introducing our premium fine-art paper prints, meticulously crafted to elevate your home decor to new heights. Printed on high-quality 175gsm fine-art paper, these prints are designed to impress with their rich colors and fine details.

Each print is equipped with a thick, 2mm (0.07″) window-cut cardboard frame, also known as a passpartout, in a natural white color. This elegant frame adds depth and sophistication to the artwork, making it stand out on any wall. The passpartout can be hung as-is, or inserted into a protective frame of your choice to further enhance its visual impact.

Made with the highest quality standards, our prints are produced using premium quality giclée printing technique, ensuring sharpness, durability, and long-lasting beauty. The natural white color of the frame complements a wide range of interior styles, making it a versatile choice for any room.

Please note that a protective frame is not included with the print, but our prints are designed for easy assembly. With some simple assembly required, you can quickly transform your space with these exquisite fine-art prints.

Elevate your home decor with our premium fine-art paper prints and add a touch of elegance to your walls. Upgrade your space with our high-quality prints and enjoy the beauty of fine art in your own home. Order yours today and elevate your home decor to new heights!

A Private Premise: This little painting started life called “Protection” and was one of the group exploring pinks and their neighbor oranges and reds, as a meditation on the kinds of female presence in the human psyche – intentionally pulling away from an ever narrowing definition of acceptable femininity. I remember that CS Lewis said somewhere in the Trilogy series that God is so profoundly much more than a gender, as I mix yellows and browns into the pinks; setting the results side-by-side with admixture greens and blues, layering them as differently as possible. The conversation I wanted to hear starts to come – starting with a red premise, glowing from under a weathered pink-yellow, a worried pink-orange, beside a presumptuous clear blue, or a resigned greened-black. Unplanned shapes assert themselves and share color between themselves in a way that seems relational and generous. And then you think about how each precious unpredictable human life path, having started with the gold underlayment of the Creator, and a private personal color premise, then becomes layered with shades and tones of life experience… and yet unalterably remains a continuous expression of the Creator.